The first aspect of Classic Pop's double page spread is the striking use of the colour red - it has a vivid and almost sentimental feel which conforms to obvious themes within the magazine. Red is a prominent colour not just in the double page spread but also the front cover and contents page, giving the magazine a sense of consistency and continuity that is present in each issue. It is also branded in a way that gives Classic Pop a solid identity that is memorable and easily recognisable to the reader. I find the layout of this double page spread particularly interesting, mainly due to the fact that it concentrates on several varied artists rather than just one. I like how they have highlighted a selection of bands and singers: it's as though they want to promote and encourage their success whilst suggesting appealing artists to the reader. It gives the impression that Classic Pop takes interest in benefiting both reader and musician. Each subject has roughly an equal amount of text although the space taken up by each image is varied - possibly as some have an increased appeal, such as the bottom right hand photo therefore require more attention. The sepia tone once again relates to the sentimental atmosphere, she is looking directly in to the camera and it looks as though she is addressing and compelling the reader. They have chosen not to censor swear words which suggests it is more suitable for adults - the register is still formal however the use of inappropriate language in fact succeeds in humanising the artists. I find the 'influences' section effective because it is an immediate indicator of whether or not the band will attract the reader depending on their personal music preferences.
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